Thursday, October 11, 2007
Nonevent of the year
I've been reading a lot on the web about how my fellow hip hop/internet nerds feel about this flub/fallout. Honestly, he didn't mess up in any significant way. I saw Pharoahe a couple weeks and he did the same thing with his verse from "Oh No." Of course, there's a vast between their skill levels, but that's not pertinent to this discussion. That Lupe messed up is , as I said, a nonevent. His reaction, however, was really unnecessary. If he does not like Tribe because their music did not grab him when he tried to listen to them, that's fine. But to say he has no interest in hearing Midnight Marauders because Hammerman outsold them and he was grooving to Too $hort and Spice-1 is an arrogant move. It's fine if he does not like to focus on the rap "canon" in favor of his own personal taste, but to say that what he chose to listen to (or rather, his father) is superior to music other people have a connection with is ridiculous and not a credible argument. I really don't care if he's never heard a Tribe album, trying to deny their influence is like saying the Beatles don't matter now because they've been broken up for close to 40 years (whoa.). It also does not help that Lupe's musical message of upliftment is (besides a bit lame) indebted to ATCQ in some way. Sorry, we don't believe you, you need more people. All he had to do was ignore what happened and apologize if it ever came up again, which would be doubtful. Instead, he looks like a tempermental child jealous that no one will pay him attention even though he feels he has the hottest product out. Kanye does the same thing. But Tudda's got beats and guests (a lot of the time, anyway). Lupe has "Daydreamin'" and lines like "I think I like her, like a metaphor." I've said enough, I am done with this topic. I hope.
Sunday, October 7, 2007
Sounds kinda nice, "Pharoahe that's that..."
These are (a couple months) old, but still worth watching, at least to me.
Friday, October 5, 2007
Thursday, October 4, 2007
It don't feel right
So earlier this week, Tuesday I think, the Daily Gazette announced that the Roots would be the main event of the large scale event this November. Being the rap nerd I am, and considering that rap at Swarthmore gets no love, of course I was geeked. But then, my skepticism set in. This school has close to no rap scene, and when Blackalicious performed two years ago, nobody moved. Yea, lots of kids here are introverted and are too self-conscious about moving and enjoying the music, but you don't go to a concert to just sit there like a comatose. The appeal is interacting with the performer, witnessing firsthand they enjoy the music they make appreciate your love of their work. It is also the case that a few members of the basketball team got fake platinum chains, stood front and center, and essentially mocked all the acts the whole concert. Besides being a dick move, it's offensive since it gives the connotation that unless they're big-time (and by that I mean LaSS plays their songs at their party that week. It's really sad how disposable current black music is to some of my peers), they don't actually care about what you have to say. My question to those players (ha) is why go to the concert in the first place? If you don't want to see the headliners, just hang out in your room and play the songs you want to hear. Get on your Curtis and follow my lead. It also didn't help to see some girls way overdressed with the hope of meeting the rappers. They're fat and mid-30s music nerds, i.e. not your type (or anyone's, really).
But the skepticism goes deeper than the lame rap fans at Swarthmore. The Roots are known for a great live show (I saw them over a fence once), but recently their music panders to the coffee shop chicks and white dudes. By that I mean they're "conscious" rap and "progessive" beats of late are getting on my nerves. That caters to a school that knows nothing about rap but has plenty of people ready to complain about it, to the activist crowd, and people who only like music that sounds like rock/country all the time. Lucky for them, the Roots do a cover of Bob Dylan's "Master of War!!!" And they're jazzy!!! They're different from all those other rappers. Honestly, I just want a good rap show to come through, and for the people in attendance to appreciate it for what it is. If the Roots do come, here's a random list of the songs I'd want to hear:
In other news, podcasts are up. Support that shit. We're just having fun, killing it with the dope beats and lyrics.
But the skepticism goes deeper than the lame rap fans at Swarthmore. The Roots are known for a great live show (I saw them over a fence once), but recently their music panders to the coffee shop chicks and white dudes. By that I mean they're "conscious" rap and "progessive" beats of late are getting on my nerves. That caters to a school that knows nothing about rap but has plenty of people ready to complain about it, to the activist crowd, and people who only like music that sounds like rock/country all the time. Lucky for them, the Roots do a cover of Bob Dylan's "Master of War!!!" And they're jazzy!!! They're different from all those other rappers. Honestly, I just want a good rap show to come through, and for the people in attendance to appreciate it for what it is. If the Roots do come, here's a random list of the songs I'd want to hear:
Pete Rock & CL Smooth- It's Like ThatIf I hear "Mind Sex" or "P.S. *69" or anything that's supposed to "push the music" but fails horribly I will be disappointed because it would mean they are more concerned with their reputation of pleasing the audience than simply rocking the stage. I would be especially hurt if they wasted their time with us, because I'll be in focus mode from the first opener. They are on the VH-1 Hip Hop Honors Tour so hopefully once they get here they'll keep playing songs that move the crowd. And not "The Seed 2.0" In short, if they come (there will be hell to pay if not), they need to do what they do and proceed as if we don't matter. Because given Swarthmore's past "hospitality" towards rap (The Perceptionists, Emanon), trying to please us will only frustrate the artists. If anyone from the LSE committee is reading, take notes. Please. I want the best rap show possible. Even if it starts three hours late.
Goodie Mob-Black Ice
Their own Proceed II
Noreaga- SuperThug
In other news, podcasts are up. Support that shit. We're just having fun, killing it with the dope beats and lyrics.
Sunday, September 30, 2007
the choice is yours
“It’s just going to be useless,” or “It does make a lot of sense”?
I hate to be a cynic, but this may not work out as well as they think. People might like some jobs, trustworthy police, and a mayor who isn't a jackass. Again, I could be wrong and this event could set Philly on a course back to respectability.
You know what would be appreciated, some call-ins from the listeners.
The show starts tonight at 8. I promise nothing but heat rocks from the both of us. Be sure to turn your shit up to 11 when we come on. And if your shit don't go up to 11, get yourself a new system. You know what time it is.
I hate to be a cynic, but this may not work out as well as they think. People might like some jobs, trustworthy police, and a mayor who isn't a jackass. Again, I could be wrong and this event could set Philly on a course back to respectability.
You know what would be appreciated, some call-ins from the listeners.
The show starts tonight at 8. I promise nothing but heat rocks from the both of us. Be sure to turn your shit up to 11 when we come on. And if your shit don't go up to 11, get yourself a new system. You know what time it is.
Friday, September 28, 2007
Video Friday returns.
Wednesday, September 26, 2007
Anger in the Nation
Blam. If only every hip hop writer/activist could express themselves so clearly. And what makes someone a "hip hop" activist, anyway? Based on what I know, they just seem less effective, and that is not a distinction to be proud of (Vote or Die, anyone?).
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